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  Directed by
  Starring
  Specs
  • Widescreen 2.35:1
  • 16:9 Enhanced
  • Dual Layer (RSDL )
  Languages
  • English: Dolby Digital 5.1 Surround
  Subtitles
    Hebrew, Czech, Polish, Hungarian, Portuguese, English - Hearing Impaired, Icelandic, Danish, Swedish, Norwegian, Finnish
  Extras
  • Deleted scenes - Deleted & Extended Scenes with Branching
  • 4 Theatrical trailer - 3x X-Men Trailers 1x TITAN A.E trailer
  • Featurette - Soundtrack Promo, FOX Special: “The Mutant Watch”, X-Men Featurette, Hugh Jackman’s Screentest
  • Photo gallery - Character Design, Production Design, Hidden Character Image Gallery
  • Animated menus
  • 3 TV spot
  • Interviews - With Bryan Singer
  • Storyboards - CG Animatics
  • Outtakes - Hidden Outtake

X-Men: Special Edition

20th Century Fox/20th Century Fox . R4 . COLOR . 100 mins . M . PAL

  Feature
Contract

As we were closing out the old millennium, today's generation of hip young 5 second attention span movie-goers needed a comic book adaptation that would serve as their benchmark for all superhero movies to come. From the studio's perspective, perhaps they just needed to prove to the public that it could be done at all, when you consider all the rumours of upcoming comic-to-film transfers that have floated around over the years, many of which are doomed never to see the light of day.

In this variant of the X-Men story, the focus is placed upon the arrival of Wolverine and Rogue to Professor Xavier's little academy for mutant humans. With mutants being lobbied against by politicians fearful of their powers, the bad mutants, headed up by oldie magnethead Magneto, prepare to go to war with the humans and hopefully take over the world while they’re at it. Meanwhile, Magneto’s old friend Captain Picard, sorry, I mean Professor Xavier, is a kind old slaphead and believes in the forces of good not evil, light not dark and black leather not spandex. Mustering up his team of goody mutants he secretly goes to work defending mankind from Magneto’s bunch, which is a really nice thing to do because most humans would like to see good mutants dead too. See, I told you he was a nice guy.

While watching this dvd, I had to ask myself whether films such as X-Men would have been made if it weren't for the likes of The Matrix. The style, technology, content and sheer audacity didn't just come out of nowhere. Then again, if you really want to think a bit harder (go on, try) and you were born more than three years ago, would The Matrix have been made if it weren't for the likes of Batman in 1989 and Superman in 1978? These films had to serve their long apprenticeship in order for modern studio heads to feel comfortable in sinking multi-multi-millions into what was previously just a very popular comic book series (okay…VERY VERY VERYYYYYY popular). Then again, I guess with some of the woeful mainstream stuff out there, you'd swear they would finance a bigscreen adaptation of a botched vasectomy (oooouch!!) if desperate for a hit so this sort of film makes a welcome appearance.

I think that Bryan Singer realised that he had to find a happy medium between blatant messages of racial tolerance and outright simplistic comic book slap-bang action. The economical script with its slim 100 minutes run time finds that middle ground and works. That X-Men as a film succeeded as much as it did is quite a feat. That it did this under the watchful and ever-critical gaze of X-Men fanatics is even more amazing. When you consider the vocal minority out there that can get wind of a bad film before 99% of the general public has seen it, then disseminate their scathing reviews on the internet (where it seems everyone is an expert) effectively damning a lot of hard work to box office hell, then the fact that X-Men has managed not to offend and alienate the core of it's followers and actually make enough money to guarantee a sequel (or two or three) is a fair achievement. While this film isn’t a perfectly straight telling of the X-Men story, I think it's pretty safe to assume that it fits the requirements of its target cinema goers and dvd watchers quite sufficiently and will be followed up and much imitated in the years to come.

  Video
Contract

Mmmm…eyecandy. If ever a film needed a really good transfer to showcase the many visual effects and moody locations, then this would be it. But I have to say that it shows restraint, which lifts it from the typical action film fodder. Thankfully, all the effort hasn’t just been put into the critical effects/action scenes, then unceremoniously falling back into mediocrity for the elemental stuff. Throughout the running time you find that the transfer presents the varying palettes to their best, with a nice realistic saturation that helps the film look more natural, rather than falling into the clichéd temptation of hyper-realistic, garish colours that have a tendency to make things look like a video game. The first two chapters pretty much run the entire gamut of all the palette starting with a colourfully dynamic CG opening, moving into an oppressive cold blue/grey section (the opening shot of feet trodding through mud is sooo clear) establishing Magneto’s character then on to a warm yellow section introducing Rogue. Certainly many areas remind me of the restraint shown in Tim Burton’s Batman, but with more slightly more colour injected for contrast. A good example of this is shown in the many scenes under Prof. Xavier’s school, where many -if not all- of the surfaces are cold blue/grey metals. When a character is shown against these background surfaces, the warmer colours of their skin really enhances the separation and focal attention. And more interestingly, I think it enhances the resemblance to comic book inking.

To cap it all off, the source print is amazingly clean with hardly a distraction to tear your eyes from the action. The image also has a very good level of detail which shows the various settings and elements to their best as well. Look at the close-up of Patrick Stewarts face in the later half and you revel in the texture of his skin, while you could practically count the individual hairs in Wolverines stubble at times.

  Audio
Contract

Happily, I feel that the restraint and quality shown in the look of the visuals has also been applied to the audio. While I was expecting a CRASHH BANG FFZZZEEERTTT WHOOSHHH type of highly active and loud audio experience, what I got was more of a smart action film where the sounds weren’t too densely layered, keeping everything clear and nicely delineated. So what tends to happen is you’ll be watching the story unfold until it gets to a sound effects bit, where the relevant main effect will kick in nice and clear throughout the discrete channels without too many support effects muddying things up and taking the whole thing completely over the top. The end result of this is a pleasing dynamic soundtrack with clear, natural sounding dialogue. I think some might find it a little “clinical” and lacking at times, but I believe it could highlight the over exaggerated nature of many other action films.

  Extras
Contract

Soooo, we finally get to see what has been dangled in front of us for the past few months because of some rental first decision. Has it been worth the wait? Read on and judge for yourself.

Using a nicely themed 3d animated menu system, we jump straight into the Special Features section, where we are presented with Extended Branching Version, Bryan Singer Interview, Theatrical Trailers and TV Spots, X-Men Soundtrack Promo, FOX Special: “The Mutant Watch”, X-Men Featurette, Hugh Jackman’s Screentest, Animatics and finally and an Art Gallery. Is that enough for ya’s?

Extended Branching Version
This is a great addition to the X-Men dvd. You are given the option to view the film with unfinished or re-edited scenes inserted back in, or to view them independently, scene-by-scene. The scenes consist of: Storm teaching class, Logan notices Jean and Cyclops / Rogue in a classroom with Bobby and Storm, Extended Bedroom Scene, Booby walks Rogue to her dorm room / Xavier and Jean in Cerebro, Xavier and Jean in Xavier’s office, and “Ready Room” scene. Most of the scenes actually add a bit of needed fleshing out of characters and might have been better suited left in the film. But then again, perhaps half the success of the film is that it is short and punchy without any flab around the middle.

Bryan Singer Interview
Segmented into 5 smaller interviews, the topics cover Why He Made X-Men, Bringing X-men From Comic Book To The Big Screen, Directing Actors, Learning From Actors and The Challenges of Making a Studio Film. Totally around seven minutes all up, it obviously only briefly touches on the above user friendly typical “extras” topics, but at least gives us some minor insights into Singer (who looks like your average young kid next door-that just happens to be making a killing in Hollywood).

Theatrical Trailers and TV Spots
3 trailers, 3 TV spots and an extra trailer for TITAN A.E. Loud, dynamic flashy clips, good quality and well suited to the movie. Would have loved to see these in DD5.1, but they’re only in DD2.0 stereo. Not that I’m complaining, mind.

**In here there is also a hidden outtake that can be accessed by highlighting a faint image of a horse head. I think comic fans will appreciate this one.

X-Men Soundtrack Promo
30 second promo for the soundtrack. Nothing special, but thoughtfully included anyway.

Fox Special: “The Mutant Watch”
This is quite interesting. Instead of just presenting us with the usual 5 minute behind the scenes featurette, they’ve endevoured to do something a little different. We have a basic feature which covers the cast and characters with interviews and behind the scenes footage, such as showing us that it took around 8 hours to apply Mystiques blue makeup and even a few words with Stan Lee. Then, to make it more interesting, they’ve intercut the feature with mock real-life footage of the Senate hearing into outlawing the mutants by movie character Senator Robert Kelly. I thought this was a very nice touch and made the feature much more interesting to watch. I’d love to see more features like this going onto dvd, I think buyers would really appreciate the extra effort and thought.

X-Men Featurette
And then we get the usual 5 minute behind the scenes featurette, where actors say things like “I’m a bad guy and I get to do stuff and things”. Pity, but it shows just how much better the “The Mutant Watch” feature is, I guess.

Hugh Jackman’s Screentest
A two minute screentest of Jackman as Wolverine acting against Anna Paquin’s Rogue from their scene in the truck at the beginning of the film. Shows how much some makeup and killer sideburns can make the difference between pretending to be someone and actually being them.

Animatics
These are two computer generated animations (about 1 minute each) of the train station fight scene and the fight on the statue of Liberty, used to visualise the scene before filming. I can only imagine that a fair bit of time goes into creating these and would be invaluable in creating the film.

Art Gallery
Broken up into Character Design and Production Design. A little under two hundred images covering the characters, costumes, sets and various gadgets, nicely presented but some of the great images scream out to be shown larger, especially some of the pencil sketches which are fantastic.

**Hidden in this section is an extra gallery featuring six images of designs for two extra characters, The Beast and The Blob, which were planned for this film, but then relegated for debut in a follow-up film. Accessed by highlighting Wolverines dogtags in the centre of the screen.

  Overall  
Contract

First time round, I recommended that you see the rental version of this dvd based on the entertainment value of the movie alone.

Well, nothing has changed, except now I can whole heartedly recommend you get your grubby little hands on this Special Edition of X-Men as soon as it's released. Not only are the picture and audio fantastic, with a wealth of demo material to impress your dvd-less family and friends, but you get a great package of extras thrown in for your money.


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      And I quote...
    "You can stop holding your breath now! The dvd you've been waiting so patiently for is finally here. And I think you're gonna like what you see..."
    - Vince Carrozza
      Review Equipment
    • DVD Player:
          Sony DVP-525
    • TV:
          Sony 68cm
    • Receiver:
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    • Speakers:
          Wharfedale s500
    • Centre Speaker:
          Polk Audio CS245
    • Surrounds:
          Wharfedale s500
    • Subwoofer:
          DB Dynamics TITAN
    • Audio Cables:
          Standard Optical
    • Video Cables:
          standard s-video
      Recent Reviews:
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