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Life With Judy Garland - Me and My Shadows

Imagine Entertainment/Visual Entertainment Group . R4 . COLOR . 171 mins . M15+ . PAL


For me, there have been three stand-out singers of the 20th Century. Billie Holiday, Edith Piaf and Judy Garland.

That's leaving aside opera, which is an enormous world unto itself. What my special trinity have in common is that they each sang from the soul. They just didn't interpret a song -- they made their songs an extension of themselves, singing with utmost conviction and palpable belief.

And yes, each in their different ways led tragic lives. But each also sang of hope and love, particularly France's Little Sparrow, and America's sweetheart, Judy Garland.

This television biopic is based on the writings and memories of Judy Garland's second daughter, Lorna Luft. It starts its almost-three-hour journey soundly focused on Judy's life, from her birth as Frances Gumm, and through her vicious exploitation by the MGM dream-factory. But as it progresses, it also becomes a memoir of her family relations, as Lorna Luft's own memories start taking centre-stage.

Acting is particularly sound. Tammy Blanchett is strong as the young 'Wizard of Oz' - period Judy, even though at times she seems more the young Bette Middler than Judy.

Australia's own Judy Davis is outstanding as the older Judy -- she is maybe not quite so convincing in the early years, when getting hitched to director Vincente Minnelli (Hugh Laurie), but she really comes into her own in Judy's later years. This becomes a tour-de-force performance, as she shows Judy reinventing herself through her legendary concert performances, culminating in the famous Concert at Carnegie Hall.

And some special credit should go to Dwayne Adams, who portrays Judy's early co-star and special MGM friend and supporter, Mickey Rooney. I find it hard to endure the early Mickey Rooney on film -- but Dwayne manages to make his over-eager, hammy qualities actually endurable.

Be prepared. This is a terribly sad story. We endure her teenage addiction to amphetamines, encouraged by MGM and her mother to keep the child working at full-pace. We see the fruits of that addiction throughout her life, as it intermittently destroys both relationships and career, and finally ends her life. But throughout the best and worst days, Judy just kept singing. And she always sang wondrously.

Just as with Edith Piaf, it seemed just impossible that such a big, dramatic voice could be coming from such a tiny frame. And the voice just kept coming -- from the 14-year-old singing 'Zing Went the Strings of my Heart', to the woman in the late 40s belting out 'Swanee'.

Judy Garland was every inch a star, and this documentary is a fine portrayal of the tortured life which gave us so much. If the documentary misses one aspect, it just slightly fails to present the vulnerability that lay behind that great, strong voice. But really, only Judy Garland could combine such vulnerability and strength in that special way. As Cary Grant (or was it Tony Curtis as Cary Grant?) used to say ... Judy, Judy, Judy!


This is a fullscreen transfer in very sound quality. It's surprising that the production, so excellent in every other respect, wasn't filmed in widescreen to give it maximum marketability and longetivity ...

Despite its archaic format, the colours are very sound and I could detect no artefacts.


The single 5.1 Surround audio is excellent. We're hearing Judy Garland's own voice in performance for most of the time, from vintage recordings (I detected only one instance where another singer impersonated her), but the matching of audio tracks from different eras is done extremely well, for even Judy's recordings from the 1930s. There's not much use made of the Surround sound, except to give it some extra ambience and warmth.


There is a short (about 9 minutes) Making Of documentary which features recollections from Lorna Luft and many, many, many tributes to the great job Judy Davis did. There must be something about Australians -- with Judy doing Judy and Geoffrey Rush doing Peter Sellers.....

There is one short deleted scene of less than two minutes, of Judy Davis miming the other Judy on stage in concert at the RKO Palace Theatre. An entire hour of concert with Judy as Judy would have been even more worthwhile -- Judy Davis gives great Judy.

Finally, there is an Audio Commentary between director Robert Allan Ackermann, Lorna Luft and costume designer Donna Granada. They contribute some great material and sound as if they're having a great time together.


A great teleplay. Judy Garland lovers should not hesitate.

To accompany it, I would suggest these few additions. Firstly, the superb recent American television documentary on the life of Judy Garland, Judy Garland: By Myself, which gives an even finer account of her life. You can get that by purchasing the two-disc US Special Edition of Easter Parade -- it's a bonus feature within that set.

Then, there are a few indispensable movies. Soon to be released is a new Warners mastering of The Wizard of Oz, using their new super-transfer method for Technicolor prints. But make sure you add to that my favourite Judy Garland musical, For Me and My Gal, along with The Harvey Girls, and Meet Me In St Louis.

Later, you might want to add some things such as the reconstructed Warners classic A Star is Born, and the very charming In the Good Old Summertime. And there's a lot more from where they came from.....

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      And I quote...
    "Despite the tragedy of her life, Judy just kept belting out the songs. This is the story of one of the truly great singers of the 20th Century."
    - Anthony Clarke
      Review Equipment
    • DVD Player:
          Pioneer DVD 655A
    • TV:
          Loewe Profil Plus 3272 68cm
    • Receiver:
          Denon AVR-3801
    • Speakers:
          Neat Acoustics PETITE
    • Centre Speaker:
          Neat Acoustics PETITE
    • Surrounds:
          Celestian (50W)
    • Subwoofer:
          B&W ASW-500
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