Series Two of Kath & Kim seemed somehow just a bit flat after the continual hysteria of Series One.
But just as you started to think this fine Australian comedy series had run its course, something happened. Series Three came along, presented as if writers and cast were totally reinvigorated. The sparkle was back. The cliches were as resounding as ever. The malapropisms as maladroit as we could hope for.
There are come critics of Kath & Kim, who see an undesirable elitist 'us versus them' in this social comedy. Those critics are usually those who have heard about the show but haven't actually got around to seeing it yet.
Yes, Kath and Kim are your quintessential aspiring Western Suburbanites. But they're painted with real affection and with a humour which transcends supposed snobbery. And it's pretty revealing that when Jane Turner (Kath) and Gina Riley (daughter Kim) switch characters to become Eastern Suburbs snooty snobbish shop-keepers Prude and Trude, the characterisations are, if anything, more pointed and bitchy than ever.
With Magda Szubanski in continued top form as Kim's second-best friend Sharon -- still pining for a permanent man of her own; still with continual acne/weight/lovebite problems -- and with some top guest stars including Mick Molloy and a phenomenal appearance from Geoffrey Rush, this is a series to relish. Kylie Minogue's cameo spot is just about the only dud bit in the whole exercise -- it's just a bit laboured, compared to the deftness of everything else.
As Kim's long-suffering husband Brett, Peter Rowsthorn takes more of the limelight than we saw in the earlier series, and appears a far more rounded character. Glenn Robbins as Kel is once again sheer perfection - his is a wonderfully realised and subtle character study, with a real feeling of affection for this quite astounding character.
But the stars remain the show's writers and principal actors, Gina Riley and Kath -- sorry, Jane -- Turner. It's becoming constantly harder to separate the actors from the characters. These roles have become comfortable and uterly believable second-skins.
There are eight episodes here -- and the only question remaining at the end, is whether those second-skins will be donned again. If so, when.......
For a television program, these are presented in widescreen anamorphic reference-quality condition. The colours are clean, shadow and contrast details well-nigh perfect, with no evidence of image loss or degradation of any kind. This is better-than-broadcast quality -- analogue broadcast, that is.
These things are very subjective, but I thought Series Three marked a return to the high level of Series One of this fine comedy series.
It's probably time now for Kath and Kim to retire to their suburban Elysian Fields. But though we may part, we'll have these brief eight weeks forever. The parcel of extras helps make this an outright purchase recommendation, rather than rental.