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  Directed by
  • Widescreen 2.40:1
  • 16:9 Enhanced
  • Dual Layer (RSDL )
  • English: Dolby Digital 5.1 Surround
  • English: DTS 5.1 Surround
  • Commentary - English: Dolby Digital Surround
  • Commentary - English: Dolby Digital Surround
    English, Dutch, Hindi, Commentary - English, Commentary - Dutch
  • Deleted scenes
  • Teaser trailer
  • Theatrical trailer - T3; T3 Games(1x PC /1x Xbox/PS2); SWAT; Charlies Angels 2
  • 2 Audio commentary - Director Johnathon Mostow; Cast and Crew
  • Featurette - Inside Terminator 3; Making of the Video Game; Toys in Action; Dressed to Kill; Skynet Database; Create Your Own Visual Effects; CRS Lab; Crystal Peak; Future War; TX Transformation; Crane Chase;
  • Animated menus
  • Storyboards
  • Gag reel
  • Timeline

Terminator 3 - Rise of the Machines: CE

Columbia Pictures/Sony Pictures Home Entertainment . R4 . COLOR . 105 mins . M15+ . PAL


(WARNING: This review may contain plot spoilers. Or it may not, with my writing you never can tell. Just in case, if you don’t want to know what happens in the film then don’t read the following bit. Please jump straight to the transfer section instead. That’s what you usually do in my reviews anyway. Thankyou.)

T3: Rise of the Machines – The Children’s Book Version

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Once upon a time there were three friends. They were an ordinary boy, a girl and a killer robot like you and me and the fancy chrome toaster in the kitchen, but they had a special secret. They knew that one day the world would be destroyed by a nasty operating system known as Skynet XP.

Can you say “BOO-HISS!” boys and girls?

Even though they had tried to stop Skynet XP twice already, Hollywood had run out of old television shows and show rides to turn into movies, so they decided that they would try to stop Skynet XP one more time.

Can you say “They did it for the money” boys and girls?

Let’s meet our friends.

This is JonJon. His mummy told him that one day in the future he’d help the survivors of a nuclear holocaust rise up and smash the shit out of mutated fax machines and coffee grinders.

Can you say “Die you evil chrome f*ckers!”, boys and girls?

Meet Katie. She was JonJon’s high school sweetheart until his foster family was slaughtered by the silver stuff in a thermometer and he disappeared. Now she’s engaged to someone else and works as a vet.

Can you say “Token female”, boys and girls?

Meet CSM101, or “T”, as his friends like to call him. T is a good killer robot from the future. He’s come to the present day to protect JonJon and KatieB from a sexy bad killer robot from the future and to rescue California from spiralling debt and mismanagement.

Can you say “Political Puppet”, boys and girls?

These are our good guys, boys and girls. Now for the bad guys...

Meet T-X, or as the robots in marketing like to call her, Terminatrix. She’s the latest model, she has nanotechnological transjectors, energy disruptors, Internet Explorer v9 and inflatable boobs. She’s hot.

Can you say “Phroaw!”, boys and girls?

Her boss is Skynet XP, an evil Microsoft programme from the future. Skynet XP hates humans and decided to wipe them all out with a nuclear attack.

One day, Skynet XP and Terminatrix were coding bugs into MS Messenger v345,987.2a beta, when Skynet XP asked Terminatrix a question.

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“Terminatrix, I’m sad. We can’t find JonJon in the past because he’s deleted all his cookies and cleaned out all our spyware. Will you please go back in time and kill everyone JonJon went to school with? Some of them will be his lieutenants in the resistance, so maybe this will stop them. Please can you help? BEEP.”

Terminatrix said “Of course I will, Skynet XP, thank you for asking so nicely! I will kill everyone I see, especially any older Terminator model that has been reprogrammed yet again and sent back in time to protect them. MOOKBLEEP.”

And so Skynet XP handed Terminatrix some cookies, a trojan virus and a phased plasma rifle and sent her back through time to kill everyone.

Soon, Terminatrix finds KatieB and JonJon at the vet playing ‘neuter the horsey’ and tries to kill them.

Run kids, run!

See the kids run for their lives. They are slow and dopey and Terminatrix is fast and has big guns. JonJon and Katie are going to die, boys and girls!

Die die die!

Suddenly, T turns up and runs Terminatrix over in a Toyota Tundra.

Can you say “Product Placement”, boys and girls?

But this doesn’t stop Terminatrix. JonJon, KatieB and T start to run away and Terminatrix chases them. They chase and chase and chase.

They crash cars.

Crash, crash, crash!

They smash cranes.

Smash, smash, smash!

They defile a cemetery.

Defile, defile, defile!

Run, Crash, Smash, Defile!

This cost one 150 million dollars, boys and girls. Can you say “What the f*ck!?”

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Finally, after 70 minutes of chasing and yelling and shooting they stop and have a picnic.

All of a sudden, they realise that KatieB’s father might be responsible for starting SkyNet XP!

Bastard, bastard, bastard!

They have to stop him before it’s too late!

Hurry, hurry, hurry!

But they are too late!

Oh no!

KatieB’s father accidentally starts Skynet XP when he tries to use a badly written warez crack to bypass the Office activation code. Skynet XP then crashes his computer with the evil BSOD and when he reboots all his email contacts have been deleted and his web access disabled.


Mankind is destroyed because of shitty programming and Bill Gates rots in hell.

The End.


In a world exclusive, Arnold has graciously agreed to write up the transfer review of this DVD for DVDnet readers. Naturally he has some pretty good gear to view the DVD on, and apparently his eyesight is superb. And he threatened to snap my neck if we refused, so take it away Arnie...

Dank you Vincent. Vell, firsdt, ledt me say it is a honour for yoo tdo read my review. I am a funtazzic wrider and I ligke to wride lodts of things on dar indernet. Mosdtly I wridte erotic stories for Playboy.gom and flamemail to dat fat barstardt nerdt virgdin Harry Knowles, so yoo shouldt consider yooselv lugcky dat I am doingk dis for yoo, HAR HAR HAR! Budt seriously, I am funtazzic and probably a geeniuz and all dat kind of thing. You are zo lugcky! So ondto da review. In der first frame of der dtransfer I detegcted 367,452 pardticles of grain. In der second frame of der dtransfer, I detegcted 267,995 pardticles of grain andt an impurity in the emulsion located at in der upper left hand quandrant of the frame precisely 43 pixels from der top. This is visible only in the infrared spectrum so most ov your puny equipment will nodt be able to see dis flaw so therefore idt is nodt too intrusive. In the third frame I... (Thanks Arnie, that’ll be enough. I’ll take it from here - Vince)

I really should have known better. Forgetting the infrared spectrum issues, the picture really is funtazzic. The picture is a vertically dismissive 2.40:1, and it’s enhanced for widescreen Internet refrigerators. If you have a smallish screen you’re gonna be seeing a lot of black above and below the narrow strip of film. The frame is used well though, the crane scene basically spread right across it by sheer necessity. Other scenes are given plenty of horizontal space to ply their wares. I like the fact that the picture is more film-like rather than an excessively sharp 3D rendering. Pushing all this fab detail around on screen is a consistently high bitrate, and the transfer looks the better for it with a practically perfect looking image free of any digital flaws.


When I saw this at the flicks, afterwards I recall thinking how cool the whole crane chase scene would have to sound at home on DVD. The effect of metal being bent seriously out of shape by a crane with the hook tearing up parked cars and knocking down a street worth of telephone poles is the stuff the Neanderthal side of me loves on a DVD. Giving both the DD 5.1 and DTS 5.1 tracks a flick back and forth for comparison's sake (and allowing for level differences), I’d say that both more than satisfactorily meet my expectations and don’t have much to separate them quality-wise.

The sound design is very distinctive, with heavy impacts (such as the Loken vs Arnie bathroom brawl, the T-X into the gravestone, and yes… that damned crane chase again) really playing upon the illusion of objects of considerable weight and strength getting thrown around and busted up.

That’s not to say the quieter, more contemplative bits aren’t well done either. It’s just that, well, who cares? Your rear speakers have plenty to do, with lots of activity keeping them in the game. Your sub will probably pop a piston as well, with lots of low bass to add impact to the film keeping the driver pumping in and out in a rigorous fashion. Yes, everything is crystal clear and well defined in the hubbub, but the action is where it counts and it does it well. Need I recommend that you turn it up? Go on, piss off the neighbourhood.


Splitting the bonus material over two DVDs, the first disc runs two commentaries and some trailers with the second disc storing the proper docos and whatnot.


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Arnold BEFORE he puts on his make up.

Introduction by Arnold Schwarzenneger
This can’t be selected from the menu. It plays before the film and is just Arnie welcoming you to the film and DVD. Not sure why. He’s awkwardly reading it off a dummy card letting you know that the commentaries will give you the inside word on the production/filming process. Thanks Arnie.

Cast and Crew Commentary
Featuring practically everyone involved in the film in separate commentaries edited down into one coherent whole, it’s not too bad, but suffers from very vague and general comments. Arnold, as much as I love the big lug, is one of the worst offenders. Like his previous commentaries for Conan, he goes on a bit about the bleeding obvious, making it not so much scene specific as second specific at times with too many comments on the trivial and banal.

Director Johnathan Mostow - Commentary
This is much better. Mostow can be interesting to listen to and covers lots of ground with greater focus on the production and more interesting info than the first comm. This is the pick of the two.


T3 (Teaser)

T3 (Theatrical) This trailer is probably one of the reasons many people thought the film would be based more in the future after the man vs machine war had already started rather than set on the day before it. It is definitely cut in a very deceptive fashion.

T3 PC Game



Charlie’s Angels – Full Throttle
I love the opening bit set to the song My Sharona. You just know it’s gonna be a shallow stupid shit film though.


Inside Terminator 3 (13:02)
A disappointingly short doco that uses flashy and noisy editing to cover its shortcomings. Too brief to cover anything in more than a perfunctory “He’s a robot...” “It’s ten years later...” “He is a geeniuz! Really, he is funtazzic and geeniuz!” manner. It’s a shame there wasn’t better than this to throw on the DVD. Are they saving the really good stuff for a later re-release?

Sgt. Candy Scene (01:51)
I don’t think this is actually a deleted scene from the film. It’s referred to in the Making of the Video Game featurette later on as a scene shot for the game to explain why Terminators look like Arnie. Taken in that context, it’s a bit of a pisser and suitably played for laughs.

Terminal Flaws: Gag Reel (03:02)
A single self running selection. You might wonder why they bothered with most of them.

T3 Visual Effects Lab
A collection of seven small featurettes covering:

1. Introduction (02:37)

2. Crane Chase (07:49)
This shows how they put together some of my new favourite bit of movie destruction, the long and violent crane chase scene.

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The T-X's snap-on vibrator blows a fuse..

3. TX Transformation (08:02)
An extensive look at how they created the illusion of TX morphing from one character to the chrome skeleton to its female form. Apparently it’s a difficult thing to have done because of the rotation of the camera or something. I’m betting they used something more than just Photoshop to create it then.

4. Future War (08:41)
If you’re hoping to see more of how they made the sequences involving the robots stomping around the countryside shooting shit up (as seen briefly in the film), then you’re outta luck. This focuses on the future bits as a whole but spends too much time with the creation of the underwater section and one or two other parts. Not to take anything away from the CGI work though, the lads really do a great job.

5. Crystal Peak (09:25)
This is an interesting (but too brief) part of the film, because it takes the whole “rip off Arnold’s face” thing to a new extreme, where you can see right through bits of his head that are missing. Utilising makeup effects and CGI together, they’ve created a cool effect. It also has a gander at a TX face morphy-thingy in her confrontation with Arnie.

6. CRS Lab (10:08)
The cool T-1’s at CRS are all real animatronic robots, with no CGI involved, so that makes for a change. A bit about them, some on Arnie’s slightly dodgy decapitation, and the melty TX scene. Not bad. Damn these guys work hard to create this stuff. Cool job.

7. Create Your Own Visual Effects
A fine gimmick, but I doubt I’ll ever return to it a second time. Picking two scenes, you get to select the effects you want to see, such as laser fire or flamethrower effects, smoke or not and bottle or skull. Then you can watch the result. Interesting for a short while, but interest dies off very quickly.

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Marv just couldn't shake the feeling that his job killing humans wasn't really that satisfying..

Skynet Database
Answer a simple question and you can access a database of key people/machines in the mythology. If you select the image alongside the text on most of the entries, you can view a hidden clip which has some production footage and a brief soundbite from the actors.

Terminator Timeline
A text based breakdown of the chronological events across all three films.

Storyboards (03:55)
Showing a split screen of board and finished shot, this covers JonJon and KatieB trying to get into Crystal Peak with Terminatrix and T in pursuit. Not as many boards as I would have expected, with lots of gaps.

Dressed to Kill (02:12)
A very shallow look at the clothing of the various characters. Hardly surprising as there’s nothing discussion-worthy about the outfits anyway. Arnold is back in black leather and sunnies, so it’s not like they took much time to discuss alternate possibilities of his outfit.

Toys in Action (07:04)
Uber-dork Todd MacFarlane (you dorks know who he is) explains the set of action figure toys his company has created to tie-in with the film and how they go about making them.

Making of the Video Game (08:57)
What’s an action film without a video game port for the various available platforms? Everyone talks up the integration of the story to the game and its extensive technology so that it’s not just a bog standard shoot ‘em up. Strange then that the in-game footage seems to show a bog standard shoot ‘em up.


Jim Cameron or not, I’m happy T3 was made, and Mostow can be satisfied that he has added his own touch to the trilogy. Arguments of this being one big long chase, the time travel being bunk and the story being bogus are the stuff of over-eager fanboys with far too much time on their hands. It’s just a frigging movie about robots and time travel, fer chrissakes, get a grip.

The DVD probably reaches its peak with the first disc, with a DTS track and two commentaries to settle in with. The second disc, although it seems packed to the gills, is little more than padding in most areas, and suffers from not featuring a more in-depth documentary. After such a long wait for the film to be made, would a proper production feature have hurt?

Regardless, if you like action films, count yourself a fan of the series and want a bit of escapism that won’t tax the noggin, then you’ll settle in with this release easily enough. If you can’t enjoy it, then you’re probably already dead.

  • LINK: http://www.dvd.net.au/review.cgi?review_id=3326
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      And I quote...
    "If you can’t enjoy T3, then you’re probably already dead. "
    - Vince Carrozza
      Review Equipment
    • DVD Player:
          Sony DVP-NS730P
    • TV:
          Philips 55PP8620
    • Receiver:
          Sony STR-DB1070
    • Speakers:
          Wharfedale s500
    • Centre Speaker:
          Polk Audio CS245
    • Surrounds:
          Wharfedale WH-2
    • Subwoofer:
          DB Dynamics TITAN
    • Audio Cables:
          Standard Optical
    • Video Cables:
          Standard Component RCA
      Recent Reviews:
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