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Directed by |
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Starring |
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Specs |
- Widescreen 1.85:1
- 16:9 Enhanced
- Dual Layer ( 1:07:26)
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Languages |
- English: Dolby Digital 5.1 Surround
- Commentary - English: Dolby Digital Stereo
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Subtitles |
English - Hearing Impaired |
Extras |
- Additional footage
- Deleted scenes
- Theatrical trailer
- Audio commentary
- Featurette
- Outtakes
- Dolby Digital trailer
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Serving Sara |
Roadshow Entertainment/Roadshow Entertainment .
R4 . COLOR . 95 mins .
PG . PAL |
Feature |
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Contract |
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Naturally when doing a film about serving divorce papers, there are plenty of opportunities for laughs and crude asides, plus a romance along the way. Well, two out of three ain’t bad I suppose... Serving Sara finds Matthew Perry playing a process server getting paid the big bucks to deliver the bad news to people. Sara (Liz Hurley) is a sweet innocent little thing who’s just been served her papers by Perry. Learning if she serves her Texan husband (Bruce Campbell) first from New York she’ll clean up better due to state law, she offers Perry a million bucks to tear hers up and serve Bruce first instead. Of course, hilarity naturally ensues as the road movie part kicks in and there are various stops along the way for situational situation comedies. Matthew Perry was intent to not play Chandler Bing in a movie here, and that’s just what he’s done. No Chandler in sight and Perry is seemingly a one-gag man. His delivery is drier than usual, but that’s not a fault with the humour; it’s the script - it’s just pretty lousy. Around midway, they start pepping it up with visuals and the crass type of jokes we’ve already seen in Say It Isn’t So and There’s Something About Mary. The thing is, they just don’t fit in with the rest of this cutesy romance, regardless of Perry not wanting to play Bing. He has his talents for comedy, but I don’t think this was the vehicle for him to portray it. Liz Hurley plays her usual perky self, being sweet and getting changed into outfit after outfit throughout most of the movie (Perry remains steadfast in but one leather jacket). She tries to add whatever comic abilities she has to Perry’s routine, but it doesn’t quite gel. No doubt the romance angle will have many a young lady tugging at her beau’s hand with "We’re getting this one" at the local video store and he will regretfully replace the battered copy of We Were Soldiers back on the shelf. Still, it isn’t all a girl thing (they've thrown scantily clad superskinnies in for the fellas!) and there are some laughs, just not tons. Bruce Campbell’s hammy abilities are entirely wasted here as well, unfortunately. He is given bugger all to work with and can’t even muster anything remotely funny to do with what he gets. And a sad note on the sleeve has him film credited with: Bruce Campbell (Spiderman) like that’s all he’s ever done, too.
Video |
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Contract |
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Firstly the opening titles. Cutesy animation, sure, but relevance to the story? Sod all. Rookie mistake to open proceedings. Just great. Then the film itself. Delivered in 1.85:1 and 16:9 enhanced, it isn’t 2.35:1 as the case states. The picture quality is superb, though it’s not quite a razor sharp image - but also not far off. All colours are nice and even and well projected, particularly important with so many cute pinks and bubbly tank tops every other frame. Shadows are good with ample details within and blacks are natural and realistic. Natural too, are flesh tones and such. Again, important with so many young ladies of perfect figure getting their skin out (makes you wonder... all the guys in the film are portrayed as idiotic, ugly, overweight or a combination of these. Coincidence?)
Finally, the layer change clunks itself over at 1:07:26/27... it could have been either and I’ll say no more.
Audio |
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Contract |
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We’re served up plenty of Texan drawls and southern accents co-mingled with hardened New York ones and all come across well, with all dialogue clearly spoken. Music has been both scored and mixed with pre-recorded tracks and it works well without being obtrusive over the length of the film. The score is well written to describe both crowded city life and lazy western expanses as well, which is a credit to Marcus Miller, the composer here. Sound effects are okay as well. A scene late in the film at a monster truck rally (where else?) sounds particularly nice and well balanced soundwise. Plenty of growling engines and stuff that doesn’t overshadow the action.
Extras |
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Contract |
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Overall |
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Contract |
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While this film was aiming at a PG rating, it instantly lost about half its potential. It could have gone somewhere if it was a stronger script and a different director, but instead it didn’t. Light phuff at best is all that’s left, with little to redeem it for multiple watchings. Maybe the girls will like it more than this jaded reviewer, but I dunno. Just when it seems to be all sweetness and light they dump a bull’s arse joke on us, or a fake veterinarian gag or some other wholly inappropriate and cheap shot to gather a laugh. This throws the rhythm out and as a total product it’s just too all-over-the-shop. Rent it first folks, is my heartfelt advice.
LINK: http://www.dvd.net.au/review.cgi?review_id=2927
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And I quote... |
"Serving up sugar coated rehash for 95 minutes. Yum yum! Gag." - Jules Faber |
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Review Equipment |
- DVD Player:
Nintaus DVD-N9901
- TV:
Sony 51cm
- Receiver:
Diamond
- Speakers:
Diamond
- Surrounds:
No Name
- Audio Cables:
Standard Optical
- Video Cables:
Standard Component RCA
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