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  Specs
  • Widescreen 2.35:1
  • 16:9 Enhanced
  • Dual Layer (RSDL 50:01)
  Languages
  • English: Dolby Digital 5.1 Surround
  Subtitles
    Czech, Polish, Hungarian, Portuguese, English - Hearing Impaired, Icelandic, Danish, Swedish, Norwegian, Finnish
  Extras
  • Theatrical trailer

Speed 2 - Cruise Control

20th Century Fox/20th Century Fox . R4 . COLOR . 120 mins . M15+ . PAL

  Feature
Contract

Hey gang, thanks for showing up for DVD.net's Turkey Baste! Boy, do we have a treat for you today! Fox has a great recipe for an expensive summer flop:

Take your ingredients: grating and annoying Heroine (Sandra Bullock), insipid Hero (Jason Patric), the Obligatory Talking Villain (Willem DaFoe) and add the usual mainstream Hollywood suspects, Comic Relief Guy, Token Black Guy, Anxious Mother, Child in Peril, and don't forget Benji, the Invulnerable Dog! Stretch out every tedious scene until the film drags itself along like a lame animal. With scurvy.

For seasoning, add a hack director (Jan de Bont, who could forge a lucrative career as a dog breeder after this howler), a brainless plot (hey, let's cut through this door with the SHIP CHAINSAW!), tiresome dialogue, dodgy CGI and model work and awful Michael Bay-esque camera shaking (oooooh, it's ACTION! The CAMERA'S SHAKING!) and you've got one of the worst big-budget films I've ever seen. In my opinion, its awfulness is only, marginally, exceeded by Con Air (for wasting the potential of a wonderful cast with a woeful script) and Independence Day (simply for being Independence Day).

Fortunately, dear readers, I was able to avoid permanent brain damage during the review by covering my ears and chanting, 'LA LA LA', and I can only hope this warning saves others. Forget about getting a description of the plot - trust me, you don't want to waste your time.

  Video
Contract

Of course, Speed 2 follows Paul's Inverse Atrocity Law, which states that the more mindnumbing the film, the better the transfer. Fox have delivered a very good transfer, with excellent shadow detail and contrast, and virtually no film noise whatsoever. Colour seems slightly unnatural overall, but it's true to the original photography. It is quite apparent that most of the film was shot during overcast conditions and the cinematographer was likely trying to make the film look more 'summery'. Sadly, most scenes still look rather bland.

I didn't notice any MPEG artifacting, but I couldn't possibly miss the layer change, which is one of the most distracting I've seen on DVD so far. My Pioneer 103s has a fast layer change, so those with older players will have quite a jarring experience. Nice one, Fox.

  Audio
Contract

Very, very good. This film rated a 7 on the Housemate Annoyance chart. Smooth, clear dialogue, good use of the surrounds to deliver an enveloping soundfield, a well-recorded score, big (and I mean system-damaging BIG) bass.. what more could you ask for?

Oh yeah, that's right. To care.

  Extras
Contract

Fox, interactive menus and scene access are NOT extra features! If you're planning to charge more than every other studio in Australia, you'd better have a damn good reason, and a crummy full-screen Pro-Logic trailer just ain't cutting it.

  Overall  
Contract

Fox, next time you have a spare $110 million, use it to house the homeless or fund cancer research. Don't waste it on doggerel like this.

Avoid at all costs.


  • LINK: http://www.dvd.net.au/review.cgi?review_id=248
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      And I quote...
    ""
    - Paul Dossett
      Review Equipment
    • DVD Rom:
          Pioneer 103(s)
    • MPEG Card:
          RealMagic Hollywood Plus
    • TV:
          Mitsubishi Diva 33
    • Amplifier:
          Yamaha DSP-A1
    • Speakers:
          Richter Excalibur
    • Centre Speaker:
          Richter Unicorn
    • Surrounds:
          Richter Hydras
    • Audio Cables:
          Monster RCA
    • Video Cables:
          Monster s-video
      Recent Reviews:
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