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Directed by |
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Starring |
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Specs |
- Widescreen 1.85:1
- 16:9 Enhanced
- Dual Layer (RSDL )
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Languages |
- English: Dolby Digital 5.1 Surround
- Italian: Dolby Digital 5.1 Surround
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Subtitles |
English, Italian, English - Hearing Impaired |
Extras |
- 9 Deleted scenes
- Theatrical trailer
- Audio commentary - Director Peter Chelsom
- Featurette
- Production notes
- Photo gallery
- Animated menus
- Storyboards
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Serendipity |
Miramax/Buena Vista .
R4 . COLOR . 87 mins .
PG . PAL |
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Contract |
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If one of your unswerving beliefs is that somewhere on the planet lurks your soul mate – probably living in Tahiti if you listen to Jilted John - then you’re certainly not alone. What’s curious to some of us, though, is how adamant some are that this soul mate must be a potential intimate partner, rather than perhaps a friend with whom to share all the important stuff in life without the messy bits. Take a healthy handful of the intimate partner theory, throw in a pinch of Sleepless in Seattle and, by default, that which inspired it, An Affair to Remember, and you have the basis of Serendipity. "Serendipity, it's one of my favourite words. It's such a nice sounding word for what it means - a fortunate accident.
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Jonathan (John Cusack) and Sara (a seemingly skinnier by the minute Kate Beckinsale) meet by chance at New York department store Bloomingdales one Christmas, haggling over a pair of black cashmere gloves. Regardless of the fact that each of them has a partner, they find undeniable sparks flying between them, get to chatting, and proceed to spend the evening in each others’ company. They walk, they talk, they eat, they skate – and they discuss all manner of life’s little bits and pieces until the time comes to part. After experiencing the most memorable night of his life, Jonathan asks for Sara’s phone number, however she believes that some sort of fate brought them together this night, so if there’s anything to it fate will bring them together once again. He writes his name and number on a five dollar bill, whilst she writes hers inside a copy of the book Love in the Time of Cholera (which may be familiar to High Fidelity trainspotters). The idea being, of course, that if either of them ever comes into possession of either item they are meant to be together, and have the means to get in contact. Let’s just hope neither of them moves, or the five buck note doesn’t get worn out and pulled from circulation, or... And so we flash forward to seven years later, when Jonathan is set to marry a girl named Hailey. He’s still unable to shake his memories of that night in New York, however, and in a flurry of cold feet and hyper-romanticism he sets out to have one last try at tracking down the mysterious Sara. Meanwhile, she’s shacked up with a bizarre new-age clarinet player called Lars (the tall outdoorsy bloke from Northern Exposure and Sex and the City) – who’s all full of Beck-like moves, but is seriously the kind of guy who Kenny G would think totally daggy. Sara, too, isn’t quite sure what she’s doing romantically, and so she sets out on her own Agatha Christie-like sleuthing adventure in search of Jonathan. All manner of coincidences, close calls and near misses befall our two fate-crossed potential lovers – are they destined to be together, or are the gods just having a bit of fun playing cosmic chess with them? It’s all great fun, being suitably mushy without heading into ‘get over it’ territory, and combining enough genuine laughs to leave a pleasant, sweet taste in your mouth. Director Peter Chelsom throws in a number of interesting shots to give the mix a little more spice, and the two leads manage quite a good on-screen chemistry – surprisingly good considering comments made in the supplemental features on this disc. Adding to this basic mix are some absolutely brilliant performances from the supporting cast – Jeremy Piven as Jonathan’s long-time friend Dean and Molly Shannon as Sara’s equivalent in particular lend much humour to proceedings, however it is the few brief, but ever-so memorable, appearances from deadpan comic genius Eugene Levy as a stickler-for-order sales clerk that just about steal the entire show.
Video |
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Well, it’s definitely got to be more than a happy accident that Serendipity looks so utterly amazing. There really isn’t a lot that can be said, simply imagine all the good things you’ve read about transfers in the past and apply them to this anamorphically enhanced, 1.85:1 delight. Colour – brilliant; clarity – superb; shadow detail, lack of aliasing and other nasties – just fabulous. In regards to the latter, not a single unintended visual intruder is to be seen throughout, which is even more impressive considering the amount of slow motion and fast motion fiddling that’s been done throughout – but then, it all goes horribly wrong when… ...the one thing which makes an otherwise near-as-dammit perfect transfer plummet in the ratings rears its hideous head – easily THE most ham-fisted and downright carelessly moronic placement of a layer change EVER borne witness to by this reviewer. Honestly, the noodle-nut who is responsible for this shouldn’t just be shot; they should have the common decency to want to do it themselves for being so ridiculously stupid! I had to “rewind” the disc a dozen times before it sunk in that it was really there – but yes, there’s the layer change plopped right in the middle of a line of dialogue, actually rendering a couple of words of a relatively important sentence inaudible. All that can be said is thank heaven for subtitles so we know what’s going on, as this is truly, truly appallingly shoddy, and how it passed quality control will obviously be an eternal mystery. Whoever was responsible for this, you – and you alone – stopped this video transfer from scoring a ten – and may we suggest a change of career as well? This DVD encoding caper is obviously a mite too challenging for you - unless you're the same person who did the rest of it, in which case, umm - just be more careful with the layer changes in future, OK?
Audio |
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As with most recent films, Serendipity comes with a Dolby Digital 5.1 soundtrack lavished upon it – in fact there’s an English one, and an Italian one if you feel like practicing to make your own Leggos ad. As with most films of this style, it probably isn’t that necessary to have a six-channel mix, but we’re certainly never going to complain about the presence of such things. No greatly noticeable exercise is given to either the rears or the subwoofwoof, although the ambience that emerges from behind you is wonderfully done – often so subtly you don’t consciously notice it – but turn it off and you can definitely hear the difference. All is nicely distinct (except for the words obliterated by the dunderheaded layer change, of course) and beautifully synched, there’s some nice use of stereo in the front of the room, and, well – in all it’s a decently executed example of one of those soundtracks that sounds perfectly fine, but one which won’t have your neighbours manically baking napalm cookies for you and then spiking your daily milk delivery with Iocaine powder. So that’s probably a good thing come to think of it… unless, of course, you’ve built up an immunity to Iocaine powder, in which case – oops, umm, wrong review… So, the score comes from Alan Silvestri, and as such there’s more agitating noodle jazz on hand than in an entire season of Seinfeld. Oh well, you can’t win them all... To help ease the pain, on the side of good is an Annie Lennox track, plus appearances from the great Louis Armstrong, Nick Drake (RIP) and those rather fab Brits Mint Royale with their groovy (but not nearly as groovy as the swoonsome Don’t Falter) From Rusholme With Love.
Extras |
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Overall |
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If you can put aside the dreadful lack of quality control Serendipity has suffered in its transition to DVD, what you’re left with is an engaging and often incredibly sweet romantic comedy that really does it right, by balancing romance and comedy almost perfectly. Some may argue that the lack of fidelity shown by the two main characters is somewhat unpalatable – which it is if you analyse it too closely – however perhaps sadly this has been a staple of romance films since the days when ‘damn’ was considered a very naughty word by more than just the most wowseriest of wowsers. Oh John, if you’re reading this, you reckon that Kate chick’s hot? Honey, you haven’t met me yet – and just think, being rather tall yourself you won’t have to break your back bending down to sweep me off my feet... Hey, a gal can dream!
LINK: http://www.dvd.net.au/review.cgi?review_id=1750
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And I quote... |
"An engaging and often incredibly sweet romantic comedy that really does it right as a film - it's a shame about the layer change then..." - Amy Flower |
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Review Equipment |
- DVD Player:
Pioneer DV-535
- TV:
Sony 68cm
- Receiver:
Onkyo TX-DS494
- Speakers:
DB Dynamics Eclipse RBS662
- Centre Speaker:
DB Dynamics Eclipse ECC442
- Surrounds:
DB Dynamics Eclipse ECR042
- Subwoofer:
DTX Digital 4.8
- Audio Cables:
Standard RCA
- Video Cables:
Standard Component RCA
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